DAH Theatre – A Sourcebook, Dennis Barnett, Lexington Books, 2016



The first book entirely dedicated to DAH Theatre. Edited by Dennis Barnett – Foreword by Eugenio Barba. Texts by: Elizabeth Carlin-Metz, Beth Cleary, Leigh Clemons, David Diamond, Jill Greenhalgh, Del Hamilton, Lyusyena Kirakosya,
Duca Knežević, Ruth Margraff, Ivan Medenica, Amy Sarno, Arthur Skelton, Max Stephenson and Shawn Womack.


“Dennis Barnett has compiled the most informative and exciting sourcebook on DAH Theatre, one of the world’s finest theaters working in the context of social conflict.” Roberto Gutiérrez
Varea, University of San Francisco




The Twenty-First Century Performance Reader, Routladge, 2019





The Twenty-First Century Performance Reader combines excerpts from over 70 international artists, companies, collectives, and creators in the fields of dance, theater, music, performance, and activism (including DAH Tatar) to form an essential book for students, researchers, and practitioners.

The selection in this book reflects the diverse and eclectic culture of practices that now constitute the expanded field of performing arts, and their stories, reflections, and work processes collectively offer an overview of contemporary artistic pursuits.




Create, Ronald Rand, Wyatt – Mackenzie Publishing, 2017





CREATE! is a collection of over 100 rare interviews in which artists share their insights on the creative process and the importance of art for society – actors, artists, choreographers, composers, dancers, designers, directors, musicians,
composers, playwrights, including Dijana Milošević, director of DAH Theatre.




An Introduction to Transitional Justice, Routledge

2016





An Introduction to Transitional Justice provides the first comprehensive overview of transitional justice judicial and non-judicial measures implemented by societies to redress legacies of massive human rights abuse. Written
by some of the leading experts in the field it takes a broad, interdisciplinary approach to the subject, addressing the dominant transitional justice mechanisms as well as key themes and challenges faced by scholars and
practitioners.



Other books and publications about DAH Theatre


“Arts and Community Change: Exploring Cultural Development Policies, Practices and Dilemmas”, Max O. Stephenson Jr., Scott Tate, Routledge, 2015.

“Theatre of War and Exile”, Domnica Radulescu, McFarland, 2015.

“Out of Silence”, Caridad Svich, Eye Corner Press, 2012.

“Acting Together I , Acting Togehter II ”, Cynthia Cohen, Roberto Varea, Polly Walker, New Village, 2011.

“Dnevnik”, Kviria Kreativni Tim, Belgrade, 2010.

“Igra – odraz vremena sadašnjeg”, Milica Zajcev, UBUS, Belgrade, 2009.

“Performance and Theatre in Eastern Europe / Changing Scene”, Dennis Barnett /Arthur Skelton , Scarecrow Press, 2008.

“Art and Upheaval”, Viliam Cleveland, New Village Press, 2008.

“Srpske pozorišne nagrade”, Ratko Stojković, Beograd, 2008.

“Frauen und Frauenorganisationen im Widerstand in Kroatien, Bosnien und Serbien” Marijana Grasak, Ulrlike Reiman i Katrin Franke, 2007.

“Infant prototip”, Simon Grabovac, Novi Sad, 2007.

“Trasnglobal readings”, Caridad Svich, Manchester University Press, Manchester/New York 2003.

“Semiološki krugovi – Film, Animacija, Strip, Pozorište, Televizija”, Zorica Jevremović, Institut za film, Beograd, Prometej, Novi Sad, 2001.

“Radical Street Performances”, Jan Cohen-Kruz, Routledge London and New York, 1998.




DOCTORAL DISSERTATIONS, MASTER’S THESES, GRADUATION PAPERS, STRATEGIC ANALYSES, PROJECT EVALUATIONS ABOUT DAH THEATRE


  • DOCTORAL DISSERTATION: “The Poetics of DAH Theatre: From the Process of Research in Theater to Social Engagement”, Ivana Koljenšić, FDU, University of Belgrade, 2016


  • MASTER’S THESIS: “The function of the performing arts in raising awareness of national minorities culture: In/Visible city project, Dah Theatre”, Ivana Ranković, UNESCO Chair in Cultural Policy and Management, 2016


  • MASTER’S THESIS: “Engaged Theatre as a Tool for Mediation”, Ivana Milenović Popović, UNESCO Chair in Cultural Policy and Management, University of Arts in Belgrade, 2013


  • STRATEGIC ANALYSIS: DAH Theatre, Ivana Milenović Popović, UNESCO Chair in Cultural Policy and Management, University of Arts in Belgrade, 2012


  • STRATEGIC ANALYSIS: DAH Theatre Research Centre, Milena Todorović, UNESCO Chair in Cultural Policy and Management,University of Arts in Belgrade, 2012


  • MASTER THESIS: “Crossing The Line: Portraying female victims of political violence in the former Yugoslavia”, Zhanna Petrukovich , Dissertation for Masters Human Rights Practice, University of Gothenburg, 2012


  • PROJECT EVALUATION: „In/visible City – Management and Methodology of International Art Projects, Višnja Kisić, UNESCO Chair in Cultural Policy and Management, University of Arts Belgrade, 2010


  • DIPLOMARBEIT: „Art Saves Life“ Unabhӓngige Theatertruppe DAH Teatar in Miloševićs Serbien zwischen 1991-2000“, Aneta Lazić Miletić, Universitӓt Wien, 2006


  • SEMINAR PAPER: “Ova vavilonska pometnja – The role of Artists in time of political crisis”, Olivier Bachmann, Universitӓt Bern, 2005


  • DIPLOMSKI RAD: “Оrganizaciona problematika eksperimentalnog pozorišta na primeru DAH Teatra”, Snežana Trgovčević, FDU, Univerzitet u Beogradu, 2000