INTERNATIONAL PROJECTS
DAH Teatar has fostered international collaboration since its founding, creating projects and performances with international participants and in collaboration with colleagues from various countries.
THE TROJAN WOMEN – REPLICA 2023
A collaborative project and co-production between DAH Teatar and Artpolis from Pristina, which will create the theatrical performance THE TROJAN WOMEN–REPLICA based on Euripides’ tragedy THE TROJAN WOMEN, co-directed by Zane Hodža and Dijana Milošević. The performance is a process consisting of a combination of workshops, rehearsals, presentations, and community dialogues.
ART CARAVAN 2021
To mark Europe Day, the EU Delegation in Serbia and DAH Teatar are connecting artists from Europe with citizens in Belgrade, Novi Sad, Niš, Subotica, Vršac, Pirot, Valjevo, Užice, Negotin, Kragujevac, and Kruševac. The Art Caravan brings the “doors”
of cities from Austria, Belgium, Denmark, France, Italy, Ireland, the Netherlands, Germany, and Romania.
SMALL ACTS OF APOCALYPSE 2010/2011
A collaboration between Dijana Milošević and Kathy Randels, Art Spot Productions (New Orleans, USA) on exploring the theme of “how to intervene in places of disaster,” entitled Small Acts of Apocalypse.
INTERPLAY 2004/2005
A collaboration between NEW DRAMATISTS from New York and DAH Teatar Center for Theatre Research.
DAH Teatar is part of a project initiated by the New Dramatists organization—a home for artists and playwrights from New York. It is an exchange project for playwrights from the USA, Hungary, the Czech Republic, and Serbia. The partners are the National Theatre
in Budapest, the International Theatre Institute in Prague, and DAH Teatar in Belgrade.
LOOKING INSIDE 2002/2003
From June 2002 to April 2003, DAH Teatar Center for Theatre Research hosted cultural experts and managers who wished to apply innovative working models based
on researching the cultural practices of other environments in their organizations or institutions. Guests from Azerbaijan, Poland, Russia, Mongolia, and Armenia observed the work of DAH Teatar Center for Theatre Research.
Supported by the Open Society Fund Belgrade and in collaboration with the Open Society Institute Budapest.
CIRCLES OF KNOWLEDGE 2002/2003
The project took place through a series of workshops, lectures, and meetings that included artists and experts from our country, the region, and the world. It is intended for young NGO leaders, young artists, and students with the aim of informing them
about the organization, financing, networking, and ways of survival for artists. Lecturers from: Denmark, Hungary, Romania, Serbia, USA, Great Britain, Netherlands.
Participating organizations: REX Cultural Center, Bitef Theatre, Center for Permanent Education, Association of Independent Theatres from Belgrade, Mostar Youth Theatre, Magdalena Project, Concept Conference-Great Britain, 7 Stages Theatre,
USA. Supported by the ARTS AND CULTURE NETWORK PROGRAM-OSI Budapest.
WHEN THE ANGELS OF HAVEN SAW THE DAUGHTERS OF MAN 2000
A project in which actresses Sanja Krsmanović Tasić and Maja Mitić participated with American actors and musicians, directed by Erik Ehn, a writer from the USA who initiated the project in the production of University Mainstage Theatre Iowa. The Book of Genesis
was the starting point for this project, which was described as “a love story on a spiritual level.”
LANDSCAPE OF MEMORIES 2000
A performance directed by Jadranka Anđelić that included Spanish actors Juan Loriente and Nekane Santamaria, Italian set designer Antonella Diana, and our musicians and composer Boris Kovač, Miloš Matić, and Goran Penić. The performance
dealt with the theme of memory on a personal and historical level. “How can memories, especially difficult ones, become energy for a different future?” Complete oblivion or stagnation in the past are two extremes, and art can transform memory
in a way that opens the door to the future. Artistic expression can transform painful memories into an understanding of the complexity of life and acceptance of changes in the future. Production INFANT Festival Novi Sad.
DREAM STATION 1999
Co-directed by Dijana Milošević and Geddy Aniksdal (Grenland Friteatar) from Norway. The performance was specially created to mark the beginning of the new Millennium and was performed on December 31, 1999, in Porsgrunn, Norway, with an international group
of theatre artists.
PLAY AGAINST VIOLENCE 1999 – 2003
DAH Teatar worked for many years with a group of young people within the project “Play Against Violence” of the European Cultural Foundation – Art For Social Change program. The results of this project were presented at the Pragovi (2002) and Pretapanje (2003) festivals
organized by the Association of Independent Theatres (ANET) from Belgrade, which was part of the same project.
THE NATASHA PROJECT [ART SAVES LIFE] 1992 – 2000
The Natasha Project is an international network founded in 1992 by theatre artists and groups from Denmark, Hungary, Italy, Sweden, the Netherlands, and Yugoslavia, among which was DAH Teatar.
Meetings of the Natasha Project network took place in various forms—festivals, workshops, collaborations.
