Using the form of a dark circus, this play deals with the theme of violence. The characters that make up the "circus points" are artists/visionaries who have marked our time and who dance a dark tango with their persecutors. [2002]
CIRQUE – (fr.) circus: in Roman times an arena for chariot races and gladiatorial games, in modern times an entertainment that usually takes place in a tent with animals and various performers
MACABRE – (fr. danse macabre) dead man's dance, dead man's dance
Koristeći formu mračnog cirkusa ova predstava se bavi temom nasilja. Karakteri koji čine “cirkuske tačke” su umetnici/vizionari koji su obeležili naše vreme i koji igraju mračni tango sa svojim progoniteljima. Pored njih tu su i anonimni vojnici koji uz zvuk molitava na različitim jezicima marširaju preko naše planete, bez prestanka, kroz beskonačno vreme.
Njima se pridružuju likovi iz balkanskog cirkusa u obliku očajnih igračica koje ne mogu da prestanu da igraju svoj ples strasti i krvi. Da li će oni stići u novo doba? I da li smo mi , kao društvo i pojedinci ušli u novo doba za koje se pitamo da li je zaista novo ili smo ostali u muzeju vremena gde političari u svojim sivim, sjajnim odelima zamenjuju vizionare? I da li i mi navlačimo siva, sjajna odela ili hodamo kroz mrak kroz koji se “najbolje vide zvezde”?
Starring: Aleksandra Jelić and Maja Mitić
Music (composed and performed by): Aleksandra Damnjanović,
Nebojsa Ignjatović, Jugoslav Hadžić
Screenplay and direction: Dijana Milošević
Texts: Original text from an examination of Bertolt Brecht by
Committee on Un-American Activities, Bertolt Brecht, Martin Luther King,
prayers from different religions, Diana Milošević
Scenography: Neša Paripović
Lighting: Radomir Stamenković
Costume: DAH Theatre
Construction of buildings: Nikola Tasić - ARBOS
Assistant director: Jelena Dakić
Photo: Đorđe Tomic
The implementation was supported by:
City of Belgrade - Secretariat for Culture and Ministry of Culture of the Republic of Serbia
