Demonstrations of work at the DAH Theater aim to reveal a part of the creative process in the theater and thereby instruct interested artists in some techniques of making a play, as well as to interest the audience in new theatrical forms. The process of working on a play in a theater such as DAH Theater lasts for months, and during that period the actors work in parallel on improving their own skills and creating materials from which the character is gradually built, i.e. a character being worked on for a particular play. Often these two processes intertwine, and the work that began with the aim of developing a certain acting training often leads to a role; and vice versa, from the materials that were created with the aim of building a certain character, a technique or skill is reached, which can later be developed independent of the role and the performance. Because of this, these presentations have a form and effect on viewers that borders on the performance.
Presentation of the work process of actress Maja Mitić while working on her roles in DAH THEATER plays. [1998 – 2006]
FLAME OF FIRE AT THE BOTTOM OF THE SEA
The actress has been in the troupe since its foundation, and the presentation was created in 1998 and has been constantly developing.
"Tucked away in the veil of research in the art to which I belong, I often meet strong, warm, frightening and deep feelings, colors, thoughts and memories. These encounters are faith in what I do because without them I would not be able to meet myself. For me, work at DAH Theater is like a deep sea expanse at the bottom of which I try to maintain the flame that lifts me above my own life".- Maja Mitić
The actress reveals to us the various procedures that led from cold technical work to the gradual building of living characters.
Demonstration of the creative process of actress Sanja Krsmanović Tasić [2001-2013]
BODY THAT SINGS, VOICE THAT DANCES
This demonstration of the actress Sanja Krsmanović Tasić, who goes through the roles and characters that have passed through her body and voice and explains her path as an actress / shaman of Dah Theater.
In the DAH Theater, she discovered a place for artistic, spiritual and professional development and a place for expressing her opinion and beliefs about the time she lives in, history and life itself. The actress has been performing experts in the plays she has played in since 1993.
Premiered in 2001 on the 10th anniversary of the theater.
