ACTUAL
HERITAGE (2025)
The play examines the myth of female helplessness and the mechanisms of patriarchy that are embedded in social and personal narratives. Legacy deconstructs the internal conflict of a woman torn between conformity and resistance.
SHE.AHEAD OF HER TIME (2024)
A multimedia installation that combines exhibition, live performance, installations, video works, and photography. It deals with women who were pioneers in their fields in our society, and whose work is still not sufficiently known and visible in the cultural and historical heritage.
YOU MUST BE A ZENITIST (2022)
An interactive multimedia installation that reflects on the legacy of an authentic avant-garde artistic movement from our region – Zenitism. It invites us, inspired by the enthusiasm of the artists of that time, to turn again to the values
at the heart of which is – man.
DANCING TREES (2021)
A dance theater performance by DAH Theater, in the open air, that deals with the importance of preserving trees. In addition to the performance in parks, the project includes discussions, a digital platform, a webinar, a video film, and other activities
that connect art and ecology.
For Your Own Good (2020)
A play for young people and adults created within the EU project Rights for Children – Rights4Kids. The project aims to raise awareness about the rights of children/youth.
TERRA (2020)
The performance combines practices of caring for plants and soil with migrations. It reflects on the effort, pain, and adaptation of “transplanting” that occurs in the process of migration.
The Conundrum of Revolution (2018)
Rosa Luxemburg – “Red Rosa” – is still an inspiration for rebellion, in an age where rebellion against everything that is inhuman, violent, and exploitative is invisible. She continues to ask us: where is the rebellion, is it possible?
DADA’s Women – a possible exhibition (2017)
A theatrical installation about Dadaism and its artists. Dadaism was conceived on the eve of the First World War out of the need for artists to oppose war and violence.
25 Glasses of Wine (2016)
The lecture-performance is based on the autobiographical texts of the director of DAH Theater, in which she talks about the work of a theater troupe that was created in the specific historical and political context of a “country that no longer exists”.
PREVIOUS
PERCHANCE TO DREAM (2016)
What happens when a character from the play “Dreams and Obstacles” spins around, and in that spin finds themselves in a new play “Maybe to Dream”?
Previously Blue (2015)
A poetic summit on the mysteries of disaster, resilience, and beauty. A co-production of DAH Theater, Theater 7 Stages from Atlanta, and the Café Antarsia ensemble from Chicago [USA].
The Shiver of a Rose (2014)
A play about artistic collaboration and the creative process between an actress and a director, which deals with the theme of missing people. A reflection on the strength and fragility of memory, on the meaning of disappearance and the possibility of transformation.
Presence of Absence (2013)
The play is part of the project “The Power of Memory,” which deals with post-traumatic memory, preserved by family members, which relates to missing persons from their immediate environment.
Dreams and Obstacles (2012)
An experiment in form, a fusion between autobiographical performance and a demonstration of work that deals with the theme of “becoming” an artist and follows the development of a dream and its realization on stage.
Gently, Gently, More Gently (2011)
A concert – performance by DAH Theater in collaboration with the band Secondhanders deals with the theme of nostalgia and its influence on the cultural scene in the area of the former Yugoslavia…
At Nastasijević (2010)
In its new play, DAH Theater deals with the famous Nastasijević family and explores the spiritual legacy that this family left to our culture. The play illuminates the artistic and cultural milieu of interwar bourgeois Serbia, while projecting a powerful artistic vision.
Two Grandmothers, Four Cats and a Scooter (2009)
Sanja Krsmanović Tasić and Maja Mitić, long-time actresses of DAH Theater, in a humorous and warm way, through the language of theater and art, send children and their parents a message about the beauty of relationships with animals and the importance of growing up
with pets, about developing responsibility and caring for others, about the ability to love, grieve, rejoice…
Crossing the Line (2009)
The play “Crossing the Line” is based on texts from the book “The Female Side of War” published by the activist group Women in Black (2007). The book is a collection of authentic testimonies of women about the wars that were fought on the territory of the former
Yugoslavia from 1991-1999.
Searching for the City (2007)
By creating a theater performance precisely on the ruins of the library on Kosančićev venac, our idea is to shed light on the “hidden walls,” i.e., on the hidden history, to make it transparent and in this way transform
both our city and our fellow citizens.
A Guide Through the Alternative History of Belgrade (2006)
As part of its fifth international acting and directing school, DAH Theater is realizing the play “A Guide Through the Alternative History of Belgrade”.
The Story of Tea (2006)
The central theme of the play—the train that will finally take the sisters to the place of their dreams – Moscow, or the situation of missed opportunities and squandered chances—inspired and provoked several important themes that the “Three Sisters” of DAH Theater deal with.
In/Visible City (2005)
The performance in a bus and the long-term project “Un/Visible City” aims to make the multiethnic structure of cities in Serbia and the richness of different ethnic cultures more visible.
Alice and Kafka are Dead / Long Live the Rosenbergs (2005)
How to solve a problem like Ethel Rosenberg? Or Alice in Wonderland? Both are sentenced to death, one in a fairy tale, the other in real life. Great trials and great literary works meet in this co-production, which explores
what the background of these and other stories about the death penalty from both cultures have in common.
Cirque Macabre (2002)
Using the form of a dark circus, this play deals with the theme of violence. The characters that make up the “circus acts” are artists/visionaries who have marked our time and who play a dark tango with their persecutors.
Dancing with Darkness (2002)
The first solo performance of DAH Theater in which the actress Sanja Krsmanović Tasić, dealing with the reasons for the loss of the old play “The Case of Helen Keller”, deals with the meaning of loss in general: loss of senses, loss of country, loss of the ability
to perceive reality in a generally accepted way, loss of identity.
Inner Mandala (2002)
A lecture/performance by actress Maja Mitić, where she talks about the healing power of theater, showing parts from plays in which she has acted from 1991 to the present.
Maps of Forbidden Memories (2001)
A co-production of DAH Theater and “7 Stages” theater from Atlanta (USA). The play deals with the story of emigrants, a topic that is one of the burning issues in Yugoslavia today. Is it possible for an artist to create outside of their country? What
are the consequences of such a decision?
Documents of Time (1999)
The play was created in Belgrade in the period May-June 1999, during the bombing of our country by NATO forces. It is a testimony to the reality that is melting before us. The impossibility of capturing one time, the need for another
kind of record and witness.
Travelers (1999)
A project in the making. A concert-performance that deals with the question “Why do people leave the country in which they were born?” through the perspective of different cultures.
Angels in the Cities (1998)
A performance for open space in which the angels of Dah Theater come to a place in the city that needs cleaning from history and perform their “ritual” of cleaning.
The Case of Helen Keller (1998)
Through moments from the biography of Helen Keller, the famous blind-deaf American writer and fighter for human rights, a story is woven about the need for communication, about the need for the touch of the OTHER. Meeting in different planes of time,
imaginary and historical figures dance their dance with darkness, turning their gaze of hope towards the century to come.
Angels Memories (1996)
A performance for open spaces that changes under the influence of the time and space in which it is played. Three actresses as angels explore contact with the audience in a street situation, casting a glance back towards the 20th century.
The Legend of the End of the World (1995)
Deals with the problem of creating life on ruins through the perspective of three contemporary women through whom archetypes from different cultures in the world are refracted.
Zenith (1994)
“Zenith – the history of an enthusiasm” is the story of the fate of Ljubomir Micić and European avant-garde artists from the beginning of the 20th century.
Gifts of Our Ancestors (1992)
Based on the work of Momčilo Nastasijević, a representative of “magical realism” in Serbian literature. It synthesizes contemporary theatrical expression with the roots of our cultural uniqueness.
This Babylonian Pandemonium (1992)
With anti-war songs by Bertolt Brecht. The play was created out of the necessity of its creators to define themselves in relation to the duty of artists in “dark times”.
