DAH Theatre – A Sourcebook, Dennis Barnett, Lexington Books, 2016

Prva knjiga u potpunosti posvećena DAH Teatru. Uredio Dennis Barnett – Predgovor Eugenio Barba. Tekstovi: Elizabeth Carlin-Metz, Beth Cleary, Leigh Clemons, David Diamond, Jill Greenhalgh, Del Hamilton, Lyusyena Kirakosya, Duca Knežević, Ruth Margraff, Ivan Medenica, Amy Sarno, Arthur Skelton, Max Stephenson i Shawn Womack.

“Dennis Barnett je sastavio najinformativniji i najuzbudljiviji izvornik o DAH Teatru, jednoj od najboljih svetskih pozorišta koje rade u kontekstu socijalnih sukoba.” Roberto Gutiérrez Varea, University of San Francisco

The Twenty-First Century Performance Reader, Routladge, 2019

The Twenty-First Century Performance Reader kombinuje izvode iz preko 70 internacionalnih umetnika, kompanija, kolektiva i stvaralaca iz oblasti plesa, pozorišta, muzike, performansa i aktivizma (uključujući DAH tTatar) da bi formirao osnovnu knjigu za studente, istraživači i praktičari.

Izbor u ovoj knjizi odražava raznoliku i eklektičnu kulturu praksi koje sada čine prošireno polje izvodjačkih umetnosti, a njihove priče, razmišljanja i radni procesi zajednički nude pregled savremenih umetničkih traganja.

Create, Ronald Rand, Wyatt – Mackenzie Publishing, 2017

CREATE! knjiga je kolekcija preko 100 retkih intervjua u kojima umetnici dele svoje uvide o procesu kreativnosti i značaj umetnosti za društvo – glumci, umetnici, koreografi, kompozitori, plesači, dizajneri, režiseri, muzičari, kompozitori, dramski pisci, uključujući Dijanu Milošević, rediteljku DAH Teatra.

An Introduction to Transitional Justice, Routledge
2016

An Introduction to Transitional Justice provides the first comprehensive overview of transitional justice judicial and non-judicial measures implemented by societies to redress legacies of massive human rights abuse. Written by some of the leading experts in the field it takes a broad, interdisciplinary approach to the subject, addressing the dominant transitional justice mechanisms as well as key themes and challenges faced by scholars and practitioners.

Ostale knjige i publikacije o DAH Teatru

“Arts and Community Change: Exploring Cultural Development Policies, Practices and Dilemmas”, Max O. Stephenson Jr., Scott Tate, Routledge, 2015.

“Theatre of War and Exile”, Domnica Radulescu, McFarland, 2015.

“Out of Silence”, Caridad Svich, Eye Corner Press, 2012.

“Acting Together I , Acting Togehter II ”, Cynthia Cohen, Roberto Varea, Polly Walker, New Village, 2011.

“Dnevnik”, Kviria Kreativni Tim, Beograd, 2010.

“Igra – odraz vremena sadašnjeg”, Milica Zajcev, UBUS, Beograd, 2009.

“Performance and Theatre in Eastern Europe / Changing Scene”, Dennis Barnett /Arthur Skelton , Scarecrow Press, 2008.

“Art and Upheaval”, Viliam Cleveland, New Village Press, 2008.

“Srpske pozorišne nagrade”, Ratko Stojković, Beograd, 2008.

“Frauen und Frauenorganisationen im Widerstand in Kroatien, Bosnien und Serbien” Marijana Grasak, Ulrlike Reiman i Katrin Franke, 2007.

“Infant prototip”, Simon Grabovac, Novi Sad, 2007.

“Trasnglobal readings”, Caridad Svich, Manchester University Press, Manchester/New York 2003.

“Semiološki krugovi – Film, Animacija, Strip, Pozorište, Televizija”, Zorica Jevremović, Institut za film, Beograd, Prometej, Novi Sad, 2001.

“Radical Street Performances”, Jan Cohen-Kruz, Routledge London and New York, 1998.

DOKTORSKE DISERTACIJE, MASTER RADOVI, DIPLOMSKI RADOVI, STRATEŠKE ANALIZE, EVALUACIJE PROJEKATA I O DAH TEATRU

  • DOKTORSKA DISERTACIJA: “Poetika DAH Teatra: Od Procesa istraživanja u pozorištu do društvenog angažmana”, Ivana Koljenšić, FDU, Univerzitet u Beogradu, 2016
  • MASTER RAD: “The function of the performing arts in raising awareness of national minorities culture: In/Visible city project, Dah Theatre”, Ivana Ranković, UNESCO Chair in Cultural Policy and Management, 2016
  • MASTER RAD: “Engaged Theatre as a Tool for Mediation”, Ivana Milenović Popović, UNESCO Chair in Cultural Policy and Management, University of Arts in Belgrade, 2013
  • STRATEGIC ANALYSIS: DAH Theatre, Ivana Milenović Popović, UNESCO Chair in Cultural Policy and Management, University of Arts in Belgrade, 2012
  • STRATEGIC ANALYSIS: DAH Theatre Research Centre, Milena Todorović, UNESCO Chair in Cultural Policy and Management,University of Arts in Belgrade, 2012
  • MASTER THESIS: “Crossing The Line: Portraying female victims of political violence in the former Yugoslavia”, Zhanna Petrukovich , Dissertation for Masters Human Rights Practice, University of Gothenburg, 2012
  • PROJECT EVALUATION: „In/visible City – Management and Methodology of International Art Projects, Višnja Kisić, UNESCO Chair in Cultural Policy and Management, University of Arts Belgrade, 2010
  • DIPLOMARBEIT: „Art Saves Life“ Unabhӓngige Theatertruppe DAH Teatar in Miloševićs Serbien zwischen 1991-2000“, Aneta Lazić Miletić, Universitӓt Wien, 2006
  • SEMINAR PAPER: “Ova vavilonska pometnja – The role of Artists in time of political crisis”, Olivier Bachmann, Universitӓt Bern, 2005
  • DIPLOMSKI RAD: “Оrganizaciona problematika eksperimentalnog pozorišta na primeru DAH Teatra”, Snežana Trgovčević, FDU, Univerzitet u Beogradu, 2000