Using the form of a dark circus, this performance deals with the theme of violence. The characters that make up the “circus acts” are artists/visionaries who have marked our time and who dance a dark tango with their persecutors. [2002]
CIRQUE – (fr.) circus: in Roman times, an arena for chariot races and gladiatorial games; in modern times, entertainment that usually takes place in a tent with animals and various performers
MACABRE – (fr. danse macabre) dance of death
Using the form of a dark circus, this performance deals with the theme of violence. The characters that make up the “circus acts” are artists/visionaries who have marked our time and who play a dark tango with their persecutors. In addition to them, there are anonymous soldiers who march across our planet to the sound of prayers in different languages, without stopping, through infinite time.
They are joined by characters from the Balkan circus in the form of desperate dancers who cannot stop dancing their dance of passion and blood. Will they reach a new era? And have we, as a society and individuals, entered a new era for which we wonder if it is really new, or have we remained in the museum of time where politicians in their gray, shiny suits replace visionaries? And are we also putting on gray, shiny suits, or are we walking through the darkness through which “the stars are best seen”?
Starring: Aleksandra Jelić and Maja Mitić
Music (composed and performed by): Aleksandra Damnjanović,
Nebojša Ignjatović, Jugoslav Hadžić
Scenario and direction: Dijana Milošević
Texts: Original text from the examination of Bertolt Brecht by the
Committee on Un-American Activities, Bertolt Brecht, Martin Luther King,
prayers from different religions, Dijana Milošević
Set design: Neša Paripović
Lighting: Radomir Stamenković
Costume: DAH Theater
Object creation: Nikola Tasić- ARBOS
Assistant director: Jelena Dakić
Photography: Đorđe Tomić
Realization supported by:
City of Belgrade – Secretariat for Culture and Ministry of Culture of the Republic of Serbia








