PLAYS
HERITAGE (2025)
The play examines the myth of female helplessness and the mechanisms of patriarchy embedded in social and personal narratives. Legacy deconstructs the inner conflict of a woman torn between acquiescence and resistance.
ONE.AHEAD OF ITS TIME (2024)
A multimedia installation combining exhibition, live performance, installations, video works and photography. It deals with women who were pioneers in their fields in our society, and their work is still insufficiently known and visible in the cultural and historical heritage.
YOU HAVE TO BE A ZENITHIST (2022)
An interactive multimedia installation reflects on the legacy of an authentic avant-garde art movement from our area - Zenitism. He invites us to, inspired by the ecstasy of the artists of that era, turn again to the values at the center of which is man.
THE TREES DANCE (2021)
DAH Theater's outdoor dance theater performance that deals with the importance of preserving trees. In addition to the performance in the parks, the project foresees conversations, a digital platform, a webinar, a video film and other activities that connect art and ecology.
For Your Good (2020)
A performance for young people and adults created within the framework of the EU project Rights for Children - Rights4Kids. The project aims to raise awareness about the rights of the child/youth.
Earth (2020)
The performance combines plant and earth care practices with migrations. It contemplates the effort, pain, and adaptation of transplanting” that occurs in the migration process.
The Riddle of Revolution (2018)
Rosa Luxemburg - "Red Rose" - is still an inspiration for rebellion, in an age where rebellion, against everything that is inhuman, violent and exploitative, is invisible. She still asks us the question: where is the rebellion, is it possible?
DADE Women – One Possible Exhibition (2017)
Theatrical installation about Dadaism and its artists. Dadaism was conceived on the eve of the First World War out of the need for artists to oppose war and violence.
25 glasses of wine (2016)
The lecture-performance is based on the autobiographical texts of the DAH Theater director, in which she talks about the work of the theater troupe that was created in the specific historical and political context of "a country that no longer exists".
PREVIOUS PERFORMANCES
MAYBE DREAMING (2016)
What happens when the character from the play "Dreams and Obstacles" spins, and in that spin, he appears in the new play "Perhaps to Dream"?
Once Blue (2015)
A poetry summit about the mysteries of disasters, resilience and beauty. Co-production of DAH Teatro, Teatro 7 Stages from Atlanta and Café Antarsia ensemble from Chicago [USA].
Trembling Rose (2014)
A play about the artistic collaboration and creative process between the actress and the director, which deals with the topic of missing people. A reflection on the strength and fragility of memory, on the meaning of disappearance and the possibility of transformation
The Presence of Absence (2013)
The performance is part of the "Power of Memory" project, which deals with post-traumatic memories, which are preserved by family members, and which refer to missing persons from their immediate environment.
Dreams and Obstacles (2012)
An experiment in form, a combination between an autobiographical performance and a demonstration of work that deals with the theme of "becoming" an artist and follows the development of a dream and its realization on stage.
Gentle, Gentle, Gentler (2011)
The concert - performance by DAH Theater in cooperation with the Secondhanders group deals with the theme of nostalgia and its influence on the cultural scene in the area of the former Yugoslavia...
At Nastasijević's (2010)
DAH Theater, in its new play, deals with the famous Nastasijević family and explores the spiritual legacy that this family left to our culture. The play sheds light on the artistic and cultural milieu of the interwar civil Serbia, simultaneously projecting a strong artistic vision.
Two Grandmas, Four Cats and a Scooter (2009)
Sanja Krsmanović Tasić and Maja Mitić, long-time actresses of DAH Theater, through a witty and warm manner, through the language of theater and art, send children and their parents a message about the beauty of relationships with animals and the importance of growing up with pets, about developing responsibility and caring for others, about the ability to love, grieve, rejoice...
Crossing the Line (2009)
The play "Crossing the Line" is based on the texts from the book "Women's Side of War" published by the activist group Women in Black (2007). The book is a collection of authentic testimonies of women about the wars that were fought on the soil of the former Yugoslavia from 1991-1999.
Searching for a City (2007)
By creating a theatrical performance right on the ruins of the library on Kosančićevo venc, our idea is to shed light on the "hidden walls", i.e. to the hidden history, to make it transparent and thus transform both our city and our fellow citizens.
A Guide to the Alternative History of Belgrade (2006)
As part of its fifth international acting and directing school, DAH Theater realizes the play "A Guide to the Alternative History of Belgrade"
A Tea Story (2006)
The central theme of the play - the train that will finally take the sisters to the place of their dreams - Moscow, or the situation of missed opportunities and squandered chances, inspired and provoked several important themes that DAH Theater's "Three Sisters" deal with.
The Invisible City (2005)
The performance on the bus and the long-term project "Not/Visible City" aims to make the multi-ethnic structure of cities in Serbia and the wealth of different ethnic cultures more visible.
Alice and Kafka are dead / Long live the Rosenbergs (2005)
How do you solve a problem like Ethel Rosenberg? Or Alice in Wonderland? Both are condemned to death, one in a fairy tale, the other in real life. Great trials and great works of literature meet in this co-production, which explores what the backgrounds of these and other death penalty stories from both cultures have in common.
Cirque Macabre (2002)
Using the form of a dark circus, this play deals with the theme of violence. The characters that make up the "circus points" are artist[s]/ visionaries who have marked our time and who dance a dark tango with their persecutors.
Dance with the Darkness (2002)
DAH Teatr's first solo performance in which actress Sanja Krsmanović Tasić, dealing with the reasons for the loss of the old play "The Case of Helen Keller", deals with the meaning of loss in general: loss of senses, loss of land, loss of the ability to perceive reality in a generally accepted way, loss of identity.
Inner Mandala (2002)
Lecture/performance by the actress Maja Mitić, where she talks about the healing power of theater, showing parts of the plays in which she acted from 1991 until now.
Maps of Forbidden Memory (2001)
Co-production of DAH Theater and "7 Stages" theater from Atlanta (USA). The play deals with the story of emigrants, a topic that is one of the hot topics in Yugoslavia today. Is it possible for an artist to create outside his country? What are the consequences of such a decision?
Documents of Time (1999)
The play was created in Belgrade in the period May-June 1999, during the bombing of our country by NATO forces. It is a testimony to the reality that is dissolving before us. The impossibility of capturing one time, the need for another kind of records and witnesses.
Travelers (1999)
A project in the making. A concert-performance that deals with the question "Why do people leave the country in which they were born?" through the lens of different cultures.
Angels in the Cities (1998)
An outdoor performance in which the angels of the Dah Theater come to a place in the city that needs to be cleansed of history and perform their "ritual" of cleansing.
The Helen Keller Case (1998)
Through moments from the biography of Helen Keller, the famous blind-deaf American writer and fighter for human rights, a story is told about the need for communication, about the need to touch the OTHER. Meeting in different planes of time, imaginary and historical characters dance their dance with darkness, casting a hopeful gaze on the century to come.
Memory of an Angel (1996)
A play for open spaces that changes under the influence of the time and space in which it is played. Three actresses as angels explore contact with the audience in a street situation looking back towards the 20th century.
Legend of the End of the World (1995)
It deals with the problem of creating life on the ruins through the eyes of three contemporary women through which archetypes from different cultures in the world are refracted.
Zenit (1994)
"Zenit - the history of one rapture" is the story of the fate of Ljubomir Micić and European avant-garde artists from the beginning of the 20th century.
Gifts of Our Ancestors (1992)
Based on the work of Momcilo Nastasijević, representative of "magical realism" in Serbian literature. It synthesizes contemporary theatrical expression with the roots of our cultural uniqueness.
This Babylonian Confusion (1992)
With anti-war poems by Bertold Brecht. The performance was born out of the necessity of its creators to determine themselves according to the duty of artists in "dark times".